- On Sunday I was this close to finishing off my record. Then I realized my basement carpet was damp. Ha. The tribulations of going through MN winters, I suppose. But yep… just about done with her. She’ll be 21 tracks, running about 55 to 57 minutes. Just short of an hour. Self titled, because she will chronicle the section of my life that made me start doing this to begin with. So it’s sort-of a “birth of…” thing, if you will. But what… I’m gonna call it “The Birth Of…”?? C’mon, I’m an asshole but I’m not that pretentious. Other self news: I’m leaving for Memphis Monday for my new job. So I’m not sure I’ll be posting here much. Course, this could go the opposite direction and I could be so bored with what to do with myself that I’ll be posting several times a night in my hotel room. It’s looking like the release date should be in May; until then keep up with Black Lantern Music cause some really cool stuff is going to be coming out between now and then.
- Sooo… this is only the second time in history we’ve discovered a triple quasar. The easiest way to define a quasar is a “galactic seed, or nucleus”. With double-quasars, it’s believed to be a result of two galaxies colliding. In other words, there’s crazy shit going on out there… we’re not even specs of dust. We’re specs of dust on one side of an electron only. Here’s the article.
- Years before Rian Johnson scored a moderately mainstream hit movie in last year’s Looper, he directed Brick. A neo-Noir throwback to the crime, in over your head flicks and novels of the late 30′s and 40′s taking place in an American suburban high school. It strangely works very well. And I have a feeling it would have been taken more seriously if the film starred adults and not teenagers. Anyways, yesterday The Onion’s AV Club posted an article about the opening sequence of Brick.
“There’s also sorrow in the juxtaposition of a slow push into Gordon-Levitt’s face, half-hidden behind hands clasped together in a classic thinker’s pose, with inserts of the girl’s lifeless body at the edge of the water. It was during this back-and-forth, as the camera measures Gordon-Levitt by way of his non-reaction to shoes, hair, and odd-shaped bracelets, that I mentally wrote the note “Dear Dear Wendy: Sorry.” Until then, though, I couldn’t necessarily articulate what made this sequence of shots seem so powerful. Watching it again, I belatedly realized something: Gordon-Levitt’s eyeline never changes. We see him ostensibly looking at different details each time, but that’s never cued by eye movement. And then I realized something else, which I can’t believe I never noticed before: Those inserts aren’t from the angle at which he’s viewing them. From where he is, her feet should be at the top of the frame; instead, they’re at the bottom, shot from her other side. The other two shots are likewise reversed. You could call that an error, I suppose, but coupled with the fixed eyeline, what it suggests (and I think this is what I always responded to, unconsciously) is that Gordon-Levitt can’t process what he’s seeing.”
“Deep in water-filled underground caves beneath Australia’s Nullarbor Plain, cave divers have discovered unusual ‘curtains’ of biological material – known as Nullarbor cave slimes.
It is thought that the periodic inundations of the Nullarbor caves by the sea occurred a number of times in the geological past and so researchers suggest that the Weebubbie Thaumarchaeota may have a marine origin.
“It just goes to show that life in the dark recesses of the planet comes in many strange forms, many of which are still unknown,” says Professor Paulsen.”
That last quote feels a little… just a little, Lovecraftian if you ask me.
“It flies over Waziristan, then to New York City and finally to the UK, asking itself philosophical questions and gradually gaining more self-awareness. However, the Freestone Drone is fated to die by getting tangled up in a washing line — the same washing line that American drone commanders use as a sign of activity inside the homes of suspects. Along the way he also gatecrashes a wedding in Paris, and even travels through time, as part of the piece’s exploration of the changing nature of warfare.”
“Were you conflicted about writing about your friend Harris’s death, about using that as a subject?
No. I see no reason not to write whatever comes to me. There was no way I was not going to write about Harris’s death. It’s like when you’re at a cocktail party and you meet someone you know you’re going to sleep with. You might as well get it over with and sleep with them. I’m talking about my former, younger life now. But. There is no point in pretending. I no longer try to avoid the inevitability of what comes to me, writing-wise.That said, there are a lot of factoids that I opted not to include in the book. This is not a book about everything I know about Harris. There are a lot of things about myself I chose not to include. I have written two memoirs but that doesn’t mean that I want to share everything. It’s hard to make it sound as if that argument holds any water at all. I don’t have a personal Facebook page. I don’t want to divulge what I don’t want to divulge.”
- I’m giving an album AllMusic gave a fairly glowing review of recently. The album is called “Cover Art”; the debut from a new Jazz-based group of musicians called The NEXT Collective. What’s interesting — considering the amount of talent and experience that comes with the group — is that this is an album of covers. But it really does not feel that way, considering it is instrumental music: jams that go on without much structure beyond, “alright, just keep in the key Drake initially had…” It’s an interesting way to do a debut, and it’ll test your opinion on how artistic covers can or cannot be. If you didn’t know it, you’d think this is a collection of 10 original and very organic songs, recorded with very few takes. This is the cover:
- That blog I spoke of last week is now up and running (though the visuals may still change). The first piece is mine. Which means you’ll know my real name. Oooohhhh… I’m definitely trying to flex some creative muscles I haven’t used in some time; I’m sure it could be better. But it was a blast to get back into more creative writing. There’s definitely a thesis, I hope it’s as clear to everyone else as it is to me. Hopefully this will turn into a good little music blog for people to RSS and follow on Tumblr, cause it’s a great mixture of people writing for it.
“A pair of psychology professors have discovered that a hockey player’s month of birth influences how scouts and coaches judge his talent, and this subconscious selection bias often puts the wrong players on the roster. The study, published online in the journal PLOS ONE, found NHL teams have long underestimated the talent and potential of players born in the second half of the year and tend to overlook them in favor of relatively older players. That is exactly the opposite of what they ought to do, said James Deaner of Grand Valley State University. For any given spot in the draft, players born in the first three months of the year are more likely to be successful than those born in the second half of the same year. “If teams really wanted to win, they should have drafted more of the relatively younger players,” Deaner said.”
“But with The Dark Knight Returns being given the full conversion treatment, this criticism of the film can no longer be the result of compression failure. The problems of the film do not come from lack of loyalty to the source. Far from it – this movie shows us, once more, that overzealous reliance on the original work is not necessarily a boon. A lot of what made The Dark Knight Returns such a good comics was, well, comics-related stuff. The movie tries to re-use some of these elements which remain inert in a medium not suited for them – there are long parts in the novel in which Batman’s actions are interjected with a point/counterpoint-style TV show, Miller and Johnson’s art scatter these discussions (along with dozens of other occurrences) all over the page, they become a representation of fragmented culture (as opposed to the more unified and direct media age that gave birth to Batman and his ilk) and watching them, we realize that Batman no longer operates in a world he was not meant to inhabit (and why the story must end the way it does).”
This is what a lot of people fail to comprehend: there are certain storytelling tropes that are completely unique to sequential art. These tropes may very well explain why (some) comics have turned out to be about the things they’re about; these tropes lend themselves very well to certain high-concepts, visual action, and narrative succession. No matter how faithfully you adapt a comic to a film, or television show, or web series… it still will never be the same thing as reading the comic. Because sequential art — though it’s been around since the Dawn of Man — is one of the most unique storytelling mediums we have, for many reasons I won’t get into here.
“A privately-owned unmanned US space capsule arrived at the International Space Station on Sunday, bringing to the space outpost food, scientific materials and other crucial equipment.
The capsule named Dragon was captured—with the help of a robotic arm – by NASA Expedition 34 Commander Kevin Ford and Flight Engineer Tom Marshburn, 5:31 am EST (1031 GMT), when the ISS was over northern Ukraine, US space officials said. The craft, owned by SpaceX corporation, will now be inspected via cameras, brought to the Earth-facing port of the ISS’s Harmony module and bolted into place by commands from mission control.“
- I have a shitload of comics to read. I AM EXCITE. I’ll have reviews up here this week. Also I hate how nobody gave a fuck about Morrison’s Batman for the past year until a major character got whacked, and now advanced orders for the next issue are selling out.
“Present Shock is a big concept with profound implications for culture, politics and business. A simple visualization (borrowed from Adrian Bejan’s theories of flow systems) is to think of time as a river flowing at a certain pace. Below a certain threshold, the movements of things on the river are fairly linear and predictable. You launch a barge in the river here and three days later you have drifted to there. This is historical progress as we have come to know it over the millennia But when the speed of the flow increases beyond that threshold, the river becomes turbulent, non-linear, unpredictable. Such is the state of time in 2012.
What does this mean? Rushkoff breaks up “presentism” into five symptoms or challenges and matches each with constructive solutions for pressing the pause button. The “aha-moment-per-page ratio in Present Shock is high. Once you identify these concepts for yourself, you will start to see them everywhere.”
- Artists Ryan Ottley and James Harren have a Tumblr where they release non-comic pieces of art they’ve been conjuring up. There seems to be themes, too. Like the other week they called ‘Shadow Week’. The site is called “THEBOG“. James just posted this, as winter is not over yet:
- More comic stores are refusing to sellOrson Scott Card’s new Superman book on account of his straight-forward, clear stance on gay rights and indeed lesbians, gays, and bisexuals as people too. I love that Mark Millar came out and said something to the tune of, “that’s the thing about free speech, it isn’t always something you’re going to agree with. But that doesn’t mean you ban someone, you threaten their livelihood.” Actually Mark, that’s the thing about Free Speech, you can sell or not sell whatever products you choose as dependent upon however you feel about said products, production methods, or producers themselves. And while we’re at it, work on your dialogue please.
- Very interesting perspective here. Former ‘sex worker’, now journalist on what feminists get wrong when it comes to prostitution (from Guernica): WAGING WAR ON SEX WORKERS.
“I’ve been free in my writing to have that opinion. I’ve never been constrained by journalism in a formal way in which I have to hear both sides. I don’t even know who “both sides” would be on this issue. No, I’m not going to have a debate with you about how you feel about sex work. It has no impact on what happens tonight with the police in the streets. Our feelings alone don’t change what happens with the police, what happens in jail, what happens when someone tries to go to the welfare office, the unemployment office, or any kind of state agency where a criminal record comes up for prostitution. How we feel about the commodification of sexuality and violence doesn’t actually translate to those people’s lives. A lot of the debate is really academic and a waste of time.”
- The latest Watch Dogs video looks unbelievable. Too bad this is a PS4 game, cause I’ll probably wait to buy one of those ’til they go down in price. I still haven’t finished even 50% of Skyrim, and have Dishonored to get into. A new Playstation will guarantee one thing though, super outrageously cheap games on eBay and Craig’s List for the last system. Anyways, here’s that video:
- That Sioux Falls group Phantom Balance — I discussed them a couple posts ago — is releasing a new album called “Loser” tomorrow I believe. I’ll stream it here either tomorrow or later in the week.
- New How To Destory Angels (Trent Reznor’s latest band; his wife is the singer, and Atticus Ross co-producers/performs) is streaming. The new album is called “Welcome Oblivion” and will be released March 5th. 13 tracks at 65 minutes. On Columbia Records. Wikipedia’s labeling it as “post-industrial” and “electronica”.
- To get personal shit out of the way (even though I know very few people who may be reading this care; and those who are probably have been linked here by google searching “george tooker”): That job I interviewed for last week? I got it! I’m getting closer and closer to a final product with this album I’m working on. It should be pretty neat. My wife is pregnant, so soon I’ll be able to share all this art and music and information with a mini-me. Also, my life will obviously get insane… so, I may have to shut this thing down. Okay, enough of that.
- Some of my buds from across the pond, specifically Daniel the curator, will be starting a music blog very soon that I’ll occasionally be writing on. I’ll definitely be linking to it once it’s up and running, I think he’s shooting for a Tumblr-based site.
- New Game of Thrones trailer:
- Jonathan Hickman has been teasing a new creator owned project that comes out sometime in March with Image Comics. This is the latest teaser:
- I saw Beasts of Southern Wild last night and I really, really enjoyed it. Surreal, haunting, powerful, peaceful, humanistic, with a very something-bigger-than-you vibe to boot. The occasional glimpse at the extinct ancient beast “Aurochs“, who have risen from their frozen states, melted out of the ice caps, is perhaps the best visual metaphor in film this year. The acting is top-notch with the occasional good. The directing and cinematography are beautiful, from the fireworks celebration early on to the parting shot of the characters strolling carelessly as the power of the rising ocean bears down on them. There needs to be more movies like this.
- I don’t why — considering I’m a Minnesotan — I just recently heard of the Sioux Falls group Phantom Balance. Good Lord, they’ll tear your face off. This is the kind of thing that can only be conjured up in the midst of frozen lakes, crops, and wind chills of negative 20 degrees Fahrenheit:
- So I’m a regular reader of comics. At any given time I’ve got anywhere from 5-10 books on my pull list at the shop. But for some reason I have never read any Avengers stuff (I don’t read too much superhero stuff besides some classics and/or products of great writers). I was simultaneously trepidations and excited to jump into the deep end when I heard Jonathan Hickman (a writer who’s creator-owned work I follow) would be writing not one, but two, Avengers books. And though I firmly stand on the side of the “New Avengers/Illuminati”, I did catch up on the regular “Avengers” title last night. I read a lot of slightly negative things about the 2nd and 3rd issues of the book, which I don’t really understand because the quality is almost exactly the same as the first. But a lot of readers of comics — and your fanboys who don’t read comics — don’t have the best taste. Anyways I’m hoping these “Creators”, these spectacularly complex and borderline sympathetic villains, are revisited later on during Hickman’s run… perhaps reigniting the evolution of Mars and thus far surpassing Earth?
- An article on Wired is garnering quite a bit of views: Inside The Battle of Hoth. It basically takes a satirically serious look at the strategies employed by both the Empire and the Rebellion during the big first set-piece of Empire. But after reading this article, you’ll realize how inept and incoherent a military strategy the Empire employed in their best chance at wiping out 90% of the Rebellion with one stroke.
“It started with an interesting disease, I guess. I started writing it in film school, which means I took eight years to write it, on and off. I was sick with the flu, and I had this fever dream. I was obsessing over the physical nature of my illness, and how I had something in my body that had come from someone else’s body, and how that was a weirdly intimate thing, if you think about it that way.
So afterwards, I was trying to think about a character who might see disease as an intimate thing. I thought a celebrity-obsessed fan might reasonably want Angelina Jolie’s cold as a way of feeling physically connected to her in some way. And then it developed into a metaphor, which I thought was an interesting way of discussing that culture.”
- Seriously, Lars von Trier’s newest film is called “Nymphomaniac“? I swear, that guy just lives to push people’s buttons. Which is awesome. I still haven’t seen “Antichrist”… and to be honest I’m a little frightened by the disturbing imagery within. I mean, I’m sure I wouldn’t be fainting or anything like that (as has been reported); but I’m not so sure about my psychological tolerance for self-mutilation of the worst kind. I did however really, really like “Melancholia”, part two of his “Depression Trilogy” (“Antichrist” being part one). Maybe I’ll give this new one a watch at some point.
- Robin Hanson over at Overcoming Bias posted an excellent little piece about why certain movies do better than others, the relationship between consuming fiction and our lives, and the status of known achievement:
“There’s an apt old curse, “May you live in interesting times.” Which highlights the fact that while we like stories with drama, we don’t actually want drama in our lives. If you ignore the very end, and the fact that the characters are very high status artists, Amour is quite realistic and by far the drama most likely to actually be experienced by many of you. Which is why most folks don’t like it, because they don’t actually want to see realistic ordinary drama.
Amour is about a women who gets sick and then dies. I was stuck by the fact that what most bothered her and her husband were the insults to her pride. They could mostly handle the pain, the drudgery, and the loss of opportunity. But the loss of status, oh that stung.“
- This was a while ago but I forgot to share it and would like to now:
Papa John’s PR Firm Targets Bloggers. So remember when Papa John’s founder John Schnatter said that because of the “Affordable Care Act” said pizzas would have to go up in price 10-15 cents and that stores would have to close down and that people’s job’s would be cut? Well… a PR firm called Sitrick and Co. is now claiming Schnatter never said anything about the closures or lost jobs, and that the price thing was a mischaracterization of a quote from an investor call Schnatter made. Here’s the Politico article. I would never presume to tell anyone what to think about anything, especially this bill cause it is massively complicated. That’s not what this is about. This is about that ongoing struggle of power vs. freedom of information. A struggle that has been happening for a long, long time, though the internet has certainly amplified it like never before.
Aaron Swartz believed in the freedom of information.
“To call someone “deranged” or “mad” is to marginalize them, to declare that they are “not one of us.” Indeed, it is to say that he or she is not really human at all. As an adult with Asperger’s syndrome who has been marginalized all her life, I feel very uncomfortable when anyone, even someone unsavory, is summarily written out of the human race. I wonder if these sanctimonious pundits realize that the most devastating instances of mass carnage (a.k.a. “wars”) have been planned and executed by neurotypicals just like themselves who were perfectly sane—unless you consider “drunk with power” a cognizable mental disorder.
Recently it was reported that Adam Lanza, the shooter in the Connecticut elementary school massacre, may have had Asperger’s syndrome. Now it is the autism community’s turn to recoil in horror and declare that no, he could not have possibly been one of us; the Autism Society has issued a press release stating that “it is imperative to remove autism from this tragic story.”
- The Legend of Zelda: Hyrule Historiais, shockingly, the number one book on Amazon right now. It’s also number one on Barnes & Noble’s website, and something called Indigo. Here’s the BleedingCool post about it. I remember reading about this when it was announced, being that Dark Horse put it out and I’m pretty in-tune with what’s happening with the mainstream comic book publishers. Here’s the book’s official website.
- The classic P.O.S. album “Audition” turned seven years old yesterday. Just to give you an idea of what we’re dealing with here:
-Apparently Facebook, which as you know went public (in a much hyped disaster), made 2 cents per user last month. There’s of course a lot going on there with all sorts of complexities to a social networking giant like FB… but it does not seem like a viable business model.
- The Times has a good article about the Coen Bros. next flick, Inside Llewyn Davis, they put up yesterday. The movie is set against the backdrop of the early-60′s folk revival, mostly in NYC’s Greenwich Village. Apparently there’s lots of music in the film, a large portion of which being live performances by the actors themselves uncut and unsupplemented. Joel compares it to a musical, notably “Les Miserables”. At the core of the film, it seems, is this notion that talent doesn’t always find its place in the world: “How good you are doesn’t always matter,” Joel said. “That’s what the movie is about.” It’s hard not to think of this film as some sort of tribute to Dylan though, coming from such proud MN artists in the Bros.
- More movie magic. Apparently principle photography on Terry Gilliam‘s Zero Theorem has wrapped. Great news considering how notoriously difficult it’s been for Gilliam to get his projects up and running — then completed — throughout his career. Gilliam did not write this one, which hopefully should see at least a limited release this year, a guy named Pat Rushin did. Rushin’s IMDB page you’ll notice is very, very empty. That’s because this is his first feature film, he’s a writing professor by trade. Interesting. What’s more is the film’s premise… from IMDB:
“A computer hacker’s goal to discover the reason for human existence continually finds his work interrupted thanks to the Management; this time, they send a teenager and lusty love interest to distract him.”
The film stars Christopher Waltz, Ben Winshaw, Tilda Swinton, Matt Damon, David Thewlis, and very possibly Bill Murray.
- Brian Wood‘s The Massive is easily one of my favorite new comics. Lofty, character heavy, intelligent, and scarily plausible, it tells the on-going story of an ex-environmentalist group navigating the waters (literal and figurative) of a new global paradigm shrouded in economic and environmental collapse. I strongly recommend it. Apparently starting with issue #10 he’ll be plotting a “mini-event”, to which John Paul Leon has crafted this amazing (and gigantic) piece of art for:
“Black Hole is one of those stories that lingers long after you read it. If you require answers and nice / neat little packages, you may want to stick with Archie and the gang. This group of teens is far from Riverdale and far more desperate. Black Hole may remind you of places in your mind that you’ve put away since high school, forcing you to ask yourself, “What was my bug? What made me an outcast?” You may not have had a small mouth on the side of your neck, but chances are, if you felt anything that wasn’t pure apathy while reading this story, then you have more in common with the afflicted than you think.”
