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Archive for December, 2009|Monthly archive page

Blackroc Hits Late-Circuit.

In Music on December 13, 2009 at 2:38 am

BLACKROC is an awesome project.  If you dunno, it’s Black Keys + some legends and/or relative unknowns of Hip-Hop.  Mos Def, Rza, Raekwon, Jim Jones, ODB, Jim Jones, Pharaohe Monch, Q-Tip, fuckin’ NOE… Ludacris.  The album’s real good.  This is the cover:

Anyways, I’m really here because they’ve been hitting the late-night circuit a bit lately.  First it was a pretty cool performance — albeit slow tempo-wise — of the song “Ain’t Nothing Like You” with Mos Def and Jim James on Letterman.  But I had to post this one (as much as I hate Jimmy Fallon), only because… hey, it’s RZA.  Fuck’s sake.  So badass, Push play:

-Sonny

… Tangents Round the Fire.

In Sonny's Thoughts on December 11, 2009 at 2:43 pm

… Wow.  Obama’s more like George Bush than any of us would’ve imagined, eh?  Holy shit.  When he started referencing the “evil that exists” in the world in his Nobel Peace Prize acceptance speech, I thought for a minute he WAS W-Bush.  A really well read version.  I’m not gonna lie, it was great speech.  And I don’t get why the fist-pumping Conservatives hate the guy so much, he’s carrying the American-Imperialist torch with some balls, that’s for sure.  Fuck it, this ain’t a political WordPress page!  It’s a… a… it’s like a… thing… it’s, well I dunno what the hell it is.  Moving on.

Matt Fraction‘s Invincible Iron Man is one mainstream superhero comic worth reading.  Even if IGN supremely overrates the title — as per their usual prerogative — along with countless other Internet havens for Marvel lovers, it still is good comics.  Written cleverly, with a surprisingly small amount of action and heavy fisted fighting, drawn well, plotted carefully, all the while understanding the pure core essence of said mainstream superhero.  However, I do wish Fraction’s Tony Stark drank more.  Anyone seen that one-sheet of Mickey Rourke as Whiplash for Iron Man 2?  Whoooaaaaa.

… The head/founder of Blackwater International sounds a lot more like Tony Stark (speaking of) than Bruce Wayne.  I know they aren’t doing weapons manufacturing, but they’re pulling security.  Well, this week the founder — Eric Prince, I believe — was ousted as an asset to the CIA.  Apparently his private security firm had been working far too close with the US government in legal terms.  Blackwater has been under all kinds of scrutiny after several reports of corruptions of justice, brutality, and even the killing of civilians in Iraq.  That scrutiny led to this Prince mess.  I referenced Blackwater in a piece of speculative fiction I wrote months ago.  God help us if Blackwater ever gets contracts in US cities.  Fuck.  You know those people who think we should privatize everything??  Yeah, they’re knuckleheads.

… I’ll leave you with anything but a knucklehead’s cartoons.  One of them anyhow.  This guy’s name is Graham Annable (if it wasn’t for SuperPunch, I’d never know him).  He does lots of things, including making creepy animation shorts.  Here’s one for the holidays:

-Sonny

Spiral Light = Missile Fail.

In Sonny's Thoughts on December 10, 2009 at 11:22 am

This story is really starting to make its rounds on the Internets.  A mysterious swirling light has appeared in the skies over Norway, and at first no one knew what exactly it was.  Apparently it was a missile test by the Russians that failed — not sure how exactly it “failed” — and the result was this magnificent, if not terrifying, spiral light in the sky.  BBC has a video report on the ordeal.  Mail Online World News has a pretty reasonable article on the story.  Witnesses have been quoting describing it: “like a big fireball that went around, with a great light around it… [and] … a shooting star that spun around and around.”  The pictures are the best part, though.  Swear on my life, these are undoctored.

-Sonny

DoomtreeblowoutV.

In Music on December 9, 2009 at 10:02 am

DOOM. The Galaga record upstairs at First Ave. was NOT broken.  The crowd began to fill in and fill in and spill out.  Some bartender was kind of a dick.  Checked my coat, as did a lot of people.  Average age seemed to be 22(ish?).  Breezy and bitter outside.  The curtain dropped.  No openers, kind of a bummer.  I still remember freezing my ass off but not caring watching Gay Witch Abortion jam in a fucking white van out front.  The format: 3-4 collective songs, individual set, 3-4 collective songs, individual set, etc.  I liked it, actually.  They’ve been doing that type of thing for a while now.  Though, at the 3rd Blowout — I think — the self titled was just about to come out so there was A LOT of collective stuff.  The breaks just kept on coming, perfect if you’re a smoker.  I switched over from Red Stripe to standard Diesel.  Lots of laughs where we were at.  A beautiful woman named Aby Wolf came out and sang on more than one song.  We cheers’ed Lazerbeak, who seemed to be having the time of his life.  The “Prizefight” video didn’t work, which also seem to fuck up the rather large telescreen.  Piss.  Cecil Otter cracked a joke about his new slogan is “searching…” ala blue screen of death.  C. Otter played with a badass two piece — distorted bass and a drummer — along with a few samples and no DJ.  Made me want to shove people.  Two very memorable guys were having the time of their lives upfront, very into each and every song.  Twinkie Jiggles, of Heiruspecs (one of the founders, bass player, nice guy), played stand-up bass on Dessa’s set; so was the guitar player from Specs.  Some bartender was as nice as could be.  Mictlan seemed fucked up all night; his set was him all alone, with Paper Tiger and Lazerbeak backing him.  P.O.S. and Sims’ set were exactly what you’d expect: awesome and alotta fun.  The place was near riotous during the last collective songs.  I was called “morally broke”, in all straight-face seriousness, for budging into the coat line.  I told these guys, “look, if no one’s gonna do anything to me beyond heckle, I’m staying.  So start shoving me or shut the fuck up.”  I’m such an asshole sometimes.  Went to the after party.  Cecil Otter took off early; I don’t think Lazerbeak was there either.  Jimmy 2 Times and Plain Ole Bill were sweet.  All I remember was Jim pointing something out to Bill on his laptop as a joke.  Sure enough, next thing to get mixed in is Madonna‘s (love how Wiki calls her an “entertainer” not “musician”) “Like a Prayer”.  More beer.  Lots of dancing and fun and partying.  Went up close and got a pick of the pair.  Smoke break.  Dessa felt all bad for stumbling and kicking a beer bottle into my shin.  She’s very polite.  Mictlan told me he “loves a whole lot of people.”  They did this big ass freestyle jam thing with about 10 people up on stage.  Some better than others, all pretty neat.  Shook POS’ hand a lot it felt like.  I didn’t see/talk to Sims at all.  And like that, it was done.  TREE.

-Sonny

Walking Dead #70 (cover).

In Visual Arts on December 8, 2009 at 7:55 pm

Hrrm.  Things just keep getting more and more interesting with this book.

-Sonny

Rail Veterans, EnRoute to VA.

In Sonny's Journal on December 7, 2009 at 4:53 pm

Last Thursday I took the train into the (other) city to eat lunch with my lady friend and pick up a copy of SUPERGOD #2 (which I should talk about sometime).  Not to mention walk through those blocks — from Washington sensibilities down to Nicolet in early December — to get some sense of belonging.  It welcomes people nicely.  St. Paul, and I love this about St. Paul, is a bit more stand-offish.  It’s like Scott Lucas and Brian St. Clair sprung up over hundreds of years on either side of the Mississippi.  On the way home, struggling to keep Supergod locked away in a brown paper bag labeled “GEEK” (literally, no allegory there), I invested some time in people watching.  What I uncovered was characters and stories and places so tangible it felt like I was watching a script I’d written with a friend play out in front of me.  A guy smoked cigarette after cigarette — I think he got down 2 before getting on — while waiting for the train at the Dome stop.  He had all kinds of military patches on a brown leather jacket in a very Rock and Roll way.  Gray hair, beard.  Once I got on he came from behind and sat a row ahead of me.  He started talking to another older man, very similar in demeanor, mannerisms, and even wardrobe, across the aisle.  Turned out both of them were en route to the VA Hospital, both veterans of that awful Vietnam conflict.  Man #2 offered up some sort of pill to the Smoker.  Said he gets them for one of his disorders, something or other.  Not that it mattered.  Smoker took it before he mentioned what it was, or COULD be.  I took heavy inspiration from this exchange.  Starting thinking about the future of my generation.  The generation of military getting far better benefits, and support, from our people and government, yet setting the record and surpassing the civilian suicide rate for the first time ever.  What about them?  If this was 30 years from now, and these were kids I grew up with on this train, the exact same exchange could happen?  Could it not?  All the college credit, medical benefits, and housing is great, but does it really make up for the terrible psychological damage befallen to these 20 year old kids?  I hope so.  But my brain won’t let me think that’s true.  And it’s sad.  So I’m trying to piece together a Flash chronicling this meeting of strangers, both veterans, of the Afghan and Iraq conflicts.  My generation.  People I know.  In the 2040′s.  It’s amazing where inspiration can come from.

-Sonny

Comic Artists Do Literature.

In Visual Arts on December 5, 2009 at 9:18 am

Hey, Oscar Wilde!  It’s Clobberin’ Time!!! is a website that launched over 10 years ago.  It’s really too bad I only just found out about it, cause it’s ingeniously awesome.  Premise: comic book artists make original art of their favorite literary figures/writers/scenes/characters.  Result: some mind-blowing paintings/inks/pencils/watercolors of everything from Mark Twain to Tyler Durden and the Jungle Book.  The site gets art from some very famous names in the comic industry, and some not so famous.  Darwyn Cooke, Stuart Immonen, Marko Djurdjevic, to name only a few.  Here’s three really cool pieces to salivate over.  Charles Bukowski, Hunter S. Thompson, and my personal savior William S. Burroughs:

Again, THE LINK.

(And yes, Rudyard Kipling WAS a bigoted pile of shit.  Oh okay, I just don’t see it correctly?  Oh yeah, “The White Man’s Burden” is only an irony laden examination of race in the time of British rule over India.  Yes.  Yes, you’re right.  I must be wrong.)

-Sonny

Wicked Valves.

In Sonny's Writings on December 4, 2009 at 8:35 am

Melissa looked from the gaping wound in her chest to the still beating heart in her hand, and said, “fuck.”

She laid flat as the World on a plank of wood stripped from an abandoned ark, now hallucinating on the bottom of the sea. The eyes at the bow noticed sticky tentacles reaching out for its remains from the murky horizon. Fish hooks, barb end out, jutted out from each suction cup with poisonous points. Reaching blindly ’til the End. The rotting plank sat atop two upside down, wheel-less grocery carts, stretched from one to the other. Melissa looked up to the Carver staring down at her in his blood splattered apron, she couldn’t believe it had come to this. Most of his teeth were missing, a few transplanted from other species. Curved, thin, and sharp. He’d been chewing on uncooked flesh like gum since the procedure began. The alleyway was his pen. Volunteered incarceration. Millions of microscopic wardens kept careful watch as they gnawed away at the grime. The Carver bent down to his mish-mash of tools: pliers, blowtorch, saw, assortment of pointed and sharpened steel, hammer, rods, plates, pinchers, nails, needles, etc. He poured out an uncounted handful of viscosity enhancers from a dirty orange prescription bottle and dumped the pills into her mouth. Profuse bleeding slowed, blood thickened.

“Make it stop, you smelly bastard. But without decimating it. It needs to stay intact”, Melissa set down her own pumping heart, still connected via rubber tubing extensions, onto her pasty stomach.

As she reached down for the whiskey, it slid off her to the left – SQUIIP – onto the board, reddening it by the second. She drank and drooled down her chin, towards the hole in her sternum. The booze crept into the edge of the cavity; she yelled out with horror, the seagulls fled. The Carver picked up the wet organ with riveted tongs tightly. He placed it into a metal tray next to Melissa’s massacred body and scooped out a single wriggling insect. He popped a flathead into a recently sealed paint can, round the outside. He pried the lid off to reveal bubbling gray liquid. It swashed and cracked at him violently. He dipped a used paintbrush, still green to the tips, into the ooze. Hand pulsed. The Carver carefully brought the brush up to the tray and began lathering the goop onto Melissa’s heart. He noticed her eyes starting to roll back in her head. In a sweaty fervor he stuck her with a syringe, pressed down hard. She coughed again. Meanwhile, the blood pump had soaked up the gray liquid and slowed its pace. With flint and steel, the blowtorch ignited and hissed. The Carver took it in hand, tweaked the levels, and took a breath. He singed the heart’s outer layer like an expensive cut of meat, seared a colorless coating onto the outside. A dried gray exoskeleton.

“That’s it. Fuck me… you’ve done it! Hit me with some more ‘a that, eh?”, Melissa rolled onto her side a tad and motioned at the holy offering of med’s and tranq’s. They knelt before her genuflecting, haloed and pure. The Carver had managed to turn Melissa’s rather large heart into something inhumane. Exactly as she’d wanted… Nay, needed.

The city huddled submissively on a harbor and the sea. It was once a fishing village, before the privileges of time and space were stripped away from it. Melissa arrived on the 4th; not that it mattered here, it didn’t. She paid an overseer – with coins marked only by a slashed scar – for a horse drawn ride through Main to a foul tower block where she was scheduled to spend eternity. Her black boot hit the dirt and a crowd of bondservants and laborers surrounded her on their knees begging for anything. They were nude, save for thick cast-iron locking shackles around their necks. The chains led down into the terrain. One was yanked sharply, effectively snapping the neck; he disappeared quickly, consumed into the ground.

She managed to get through her building’s crooked door, where she was greeted with a shotgun pointed at her face. The old man wore thinning, greased back silver hair and overalls stuffed with red shells for his piece. No shoes and little else. He warned Melissa, “stay in at night, find yerself a gun, come near me I blow your face off.” This was the nicest person in St. Ireneaus. Through the hallway to her new place she saw terrifying black and white images projected onto each wall like Super 8 films. The stocks would burn themselves to smoke when finished and quickly self replace. Door 6C swung wide open. An overweight man with his pants around his ankles pumped brown liquids into a man and a woman dressed like a cowboy and prostitute. He groped himself as they convulsed and vomited all over the bed and each other. Melissa, in a near catatonic state, reached her room and locked herself in. She cried fully clothed under a cold shower until her skin felt dry as jerky. She finally wrapped her head around what she’d seen, where she was, who she was. Melissa needed a transformation of the self effective immediately, if only for a fighting chance. Dying wouldn’t help her. Couldn’t. This was the only way.

The Carver finished reconnecting the aorta and the pulmonary arteries. He pushed firm but steady on the blackened gray heart, it slithered into place. Melissa helped him hold a rounded steel hubcap – scrounged off a dead vendor’s cart – over her chest, while he pounded it down with a rubber mallet. She put her shirt back on and polished off the bottle. The Carver handed her an opened switch blade, smiled toothy and ragged.

“Feel different already. Right then, let’s see if this works…” Melissa climbed up and moved into the street, knife concealed in hand. She spotted a mustached man with a gun in his trousers walking gingerly, and followed him into a shadowed brick alley…

-Sonny

Sesame St./Movie Poster Mashups.

In Uncategorized, Visual Arts on December 3, 2009 at 2:41 pm

Over at Empire Online the movie mag’s site (the newest issue of the magazine itself features an iron clad Robert Downy Jr. from Iron Man 2 on the cover; not that I’m a fanboy or anything, the only interesting aspect of Iron Man is that it’s title character is an alcoholic) features a whole slew of movie poster mash-ups.  Everything from Hip-Hop to Board Games to Bible mash-ups with famous movie posters.  It’s excellent to browse through while killing time in a cubicle.  These entries come from the movie poster/Sesame Street mashups.  Enjoy!

-Sonny

The Comment and the Contest.

In Sonny's Journal on December 2, 2009 at 4:01 pm

So David Derr was nice enough to notice that post called… “David Derr“.  He commented thanking me for both putting up and liking his work.  I’m always so apprehensive about putting up an artist’s work — even if I’m including links and credits (which is about 96% of the time) — after a DeviantArt member asked me to take down his photography.  Fairly certain that was actually credited and linked.  I don’t know how any of these folks feel about it, ya know?  That “open letter” I wrote to any and all artists who’s work I’ve featured explains pretty well how I feel about it I guess.  It’s hard though, it’s a fine line.  The only thing I can do is imagine myself in that same situation but with fiction.  I’d be pissed if someone simply stole my stuff and put it up somewhere (if it wasn’t such shit, this could happen; none of it is copyrighted) with no mention of me, this site, or links themselves.  On the other hand, I’d LOVE if someone did put up anything of mine somewhere and linked here, or mentioned me, or whatever.  Actually months ago someone commented on one of my posts saying that some website was “stealing” my entries as their own.  Actually it turned out to come from Planet-X – a science fiction news site — and I was fine with it because it included an incoming link as the “full post”.  Ramble on fucko.

I finished up a flash-fiction piece I wrote for a contest at some woman’s webpage.  Her name is Emmy Jackson.  She sounds outrageously interesting as a person to do what she does.  Her page, Looking for Strange, is really cool.  It’s part project, part lifestyle.  Here’s the “About” straight from the source:

“Emmy Jackson lives in a motorhome and wanders aimlessly around North America in the company of an adorable but addled cat and a soulmate who shoots people in the face for a living.  The works on this site chronicle the experiences and adventures of Emmy’s imaginary friends.

Feedback and criticism make Emmy extremely happy.  If you have a thought, good or ill, please don’t hesitate to share, either in the comments section or via e-mail.  Thank you for stopping by; enjoy!”

Wow, huh?  Tell me about it.  The fiction contest in question is a great idea too.  She’s giving writers a line, ONE line, that must be included in the writing.  It can be the first line, the last line, or anywhere else.  This time around the line is:

“Melissa looked from the gaping wound in her chest to the still beating heart in her hand, and said, “fuck”.”

I kicked this sentence around in my head for a long time until developing just a concept.  From there, I do what I do which is let any and all shit just flow out of me free of inhibitions or worries or doubt.  Sift through it with a large toothed comb.  Modify the remaining pieces.  Print.  Ship.  It seems to work well for me.  She liked it a lot.  She’s already written back to me about it.  She’s apparently planning on putting it up.  I don’t know if that means I won, or simply placed, or simply participated.  Either way I’ll link to it when it comes up, which isn’t until January.  Until then, I’ll probably post the story itself cataloged under “Sonny’s Writings” at some point.  Maybe tomorrow.

-Sonny

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